61. Death and the miserly fool. From Sebastian Brandt's Navis Stultifera (Ship of Fools), printed by Bergman de Olpe, Basle, 1494.
62. Death and the poor fool. From Sebastian Brandt's Navis Stultifera (Ship of Fools).
63. Death as a mounted hunter and as a reaper. From Der Ackerman aus Böhmen (The Ploughman from Bohemia), Bamberg, 1463.
64. Death as a worm-eaten corpse. By an unknown Flemish artist, 1480-90. One of the earliest extant printed labels for a poison bottle.
65. Allegoric representation of Death. From Le grant kalendrier et compost des Bergiers, Nicolas le Rouge, Troyes, 1496.

66. Papist crowning the Devil's pig. From Cicero's Officien, by Hans Weiditz, printed by Heinrich Steiner, Augsburg, 1531.
67. Jewish scholars, wearing pointed hats, are suckled by their wetnurse, the Devil's pig. From the earliest extant anti-Semetic broadside, Germany, 1475.
68. The terrible fate of dice-players. From a pamphlet How the Die Was Invented, attributed to Albrecht Dürer, printed by Conrad Kacherofen, Leipzig, 1487.
69. The Demon of dice. From How the Die Was Invented.
70. Grotesque representation of the demons of the Seven Deadly Sins. Designed by Hans Baldung Grien, from the Buch Granatapfel, 1511.

71. Casus Luciferi (the Fall of Lucifer). From Biblia Pauperum (the poor man's Bible), a block-book printed at Bamberg, 1470.
72. The Four Apocalyptic Horsemaen. From the Cologne Bible, printed by Bartholomäus von Uncle, 1479.
73. Witch turned werewolf attacking travelers. Woodcut by Hans Weiditz. From Dr. Johann von Kaysersberg's Die Emeis (The Ants), printed by Johann Grüninger, Strassburg, 1517.
74. Witches celebrating. Woodcut by Hans Weiditz.
75. Protestants and Jews accused by the Inquisition of heresy and witchcraft. From a contemporary woodcut, Nuremberg, 1493.

76. Torturing Jews. Woodcut, 1475.
77. Temptation through Avarice. From a xylographic French block-book edition of Ars Moriendi, 1465.
78. Detail of picture 77.
79. Temptation through Impatience. From a Dutch block-book edition of Ars Moriendi, 1465.
80. Triumph over temptation. From a xylographic German block-book edition of Ars Moriendi, Augsburg, 1465.

81. Dying man surrounded by his attendants. Attributed to Albrecht Dürer; from the title page of a German edition of Ars Moriendi, printed by Johann Weyssenberger, Nuremberg, 1509.
82. Dance orchestra of death. From La grant danse macabre des hommes et des femmes, printed by Nicolas le Rouge, Troyes, 1496.
83. Typesetter, printer and bookseller. From La Grant Dance Macabre, printed by Matthias Huss, Lyons, 1499.
84. Death hunting the hunters. From Geiler von Kaisersperg's Sermones, De arbore humana, printed by Johann Gruninger, Strassburg, 1514.
85. Detail of picture 84.

86. Death leaping from Hell on his charger with arrow and coffin, to claim his rights over mortals. From Le grant kalendrier, printed by Nicolas le Rouge, Troyes, 1496.
87. Death in the cloister. From Robert Gobin's Les Loups Ravissans (The Ravishing Wolves), printed by Antoine Verard, Paris, 1503.
88. Death. Detail of an illustration by Hans Weiditz, from Elluchasem Elimithar's Schachtafeln der Gesundheyt, printed by Hans Schott, Strassburg, 1533.
89. Macabre representation of the Tree of Knowledge and Death. Woodcut by Jost Amman, from Jacob Rueff's De conceptu et generatione hominis, printed by Peter Fabricus, Frankfurt, 1587.
90. The Papist Devil, "Ego sum Papa" (I am the Pope). From a Rewformation handbill against Pope Alexander VI, Paris, late 15th century.